One of two albums she made in 1958 with flautist/saxophonist Frank Wess. Backed by fellow Detroit native Herman Wright on bass and the great Roy Haynes on drums, she and Wess weave mesmerizing melodic threads through standards like “Alone Together” and “Yesterdays.” But perhaps the most amazing track is “Bohemia After Dark,” which displays Ashby’s uncanny ability to turn her harp into a rhythm guitar. From the original mono sources.